About Austin

Austin is an avid guitar player and blogger. He has been playing guitar for 17 years and loves to write about music, guitar gear and travel.

The (not so) Tiny Terror: Hell’s Holy Grail

During the late nineties and into the new millennium, touring guitarists and studio musicians were returning the glory of a low wattage amp. In Rock n Roll’s infancy, guitarists were forced to use low wattage amps because they had no choice. As manufacturers continued to push the watts higher and higher, guitarists followed suit blindly believing that more watts meant a better sound. Eventually, guitarists came back to their roots after the fall of “metal” and “grunge.”

Manufacturers like Matchless and Top Hat seemed to lead the charge with amazing boutique amps usually modeled after the Vox AC30. Before you knew it, custom amp companies were popping up all over the country sporting 30, 15 and even 5 watt amplifiers. Some of these were very good, some of them not so good, but nearly all of them priced above the price range of your average player. So, when Orange came along with the Tiny Terror, guitarists rejoiced… and rightfully so.

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